I, Pencil
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| by Leonard E. Read |
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I am a lead pencil--the ordinary wooden
pencil familiar to all boys and girls and
adults who can read and write.
Writing is both my vocation and my
avocation; that's all I do.
You may wonder why I should write a
genealogy. Well, to begin with, my story is
interesting. And, next, I am a mystery --
more so than a tree or a sunset or even a
flash of lightning. But, sadly, I am taken for
granted by those who use me, as if I were a
mere incident and without background. This
supercilious attitude relegates me to the
level of the commonplace. This is a species
of the grievous error in which mankind
cannot too long persist without peril. For,
the wise G. K. Chesterton observed, "We
are perishing for want of wonder, not for
want of wonders."
I, Pencil, simple though I appear to be,
merit your wonder and awe, a claim I shall
attempt to prove. In fact, if you can understand
me -- no, that's too much to ask of
anyone -- if you can become aware of the
miraculousness which I symbolize, you can
help save the freedom mankind is so unhappily
losing. I have a profound lesson to
teach. And I can teach this lesson better
than can an automobile or an airplane or a
mechanical dishwasher because -- well, because
I am seemingly so simple.
Simple? Yet, not a single person on the
face of this earth knows how to make me.
This sounds fantastic, doesn't it? Especially
when it is realized that there are about one
and one-half billion of my kind produced in
the U.S.A. each year.
Pick me up and look me over. What do
you see? Not much meets the eye -- there's
some wood, lacquer. the printed labeling,
graphite lead, a bit of metal, and an eraser.
Innumerable Antecedents
Just as you cannot trace your family tree
back very far, so is it impossible for me to
name and explain all my antecedents. But
I would like to suggest enough of them to
impress upon you the richness and complexity of my background.
My family tree begins with what in fact
is a tree, a cedar of straight grain that grows
in Northern California and Oregon. Now
contemplate all the saws and trucks and
rope and the countless other gear used in
harvesting and carting the cedar logs to the
railroad siding. Think of all the persons and
the numberless skills that went into their
fabrication: the mining of ore, the making
of steel and its refinement into saws, axes,
motors: the growing of hemp and bringing
it through all the stages to heavy and strong
rope; the logging camps with their beds
and mess halls, the cookery and the raising
of all the foods. Why, untold thousands of
persons had a hand in every cup of coffee the
loggers drink!
The logs are shipped to a mill in San
Leandro, California. Can you imagine the
individuals who make flat cars and rails and
railroad engines and who construct and
install the communication systems incidental
thereto? These legions are among my
antecedents.
Consider the millwork in San Leandro.
The cedar logs are cut into small, pencil-length
slats less than one-fourth of an inch
in thickness. These are kiln dried and then
tinted for the same reason women put rouge
on their faces. People prefer that I look
pretty, not a pallid white. The slats are
waxed and kiln dried again. How many skills
went into the making of the tint and the
kilns, into supplying the heat, the light and
power, the belts, motors, and all the other
things a mill requires? Sweepers in the mill
among my ancestors? Yes, and included
are the men who poured the concrete for
the dam of a Pacific Gas & Electric Company
hydroplant which supplies the mill's
power!
Don't overlook the ancestors present and
distant who have a hand in transporting
sixty carloads of slats across the nation.
Once in the pencil factory -- $4,000,000 in
machinery and building, all capital accumulated
by thrifty and saving parents of mine --
each slat is given eight grooves by a complex
machine, after which another machine lays
leads in every other slat, applies glue, and
places another slat atop -- a lead sandwich,
so to speak. Seven brothers and I are
mechanically carved from this "wood-clinched" sandwich.
My "lead" itself -- it contains no lead at
all -- is complex. The graphite is mined in
Ceylon. Consider these miners and those
who make their many tools and the makers
of the paper sacks in which the graphite
is shipped and those who make the string
that ties the sacks and those who put
them aboard ships and those who make the
ships. Even the lighthouse keepers along
the way assisted in my birth -- and the harbor
pilots.
The graphite is mixed with clay from
Mississippi in which ammonium hydroxide
is used in the refining process. Then wetting
agents are added such as sulfonated tallow --
animal fats chemically reacted with
sulfuric acid. After passing through numerous
machines, the mixture finally appears
as endless extrusions -- as from a sausage
grinder -- cut to size, dried, and baked for
several hours at 1,850 degrees Fahrenheit.
To increase their strength and smoothness
the leads are then treated with a hot
mixture which includes candelilla wax from
Mexico, paraffin wax, and hydrogenated
natural fats.
My cedar receives six coats of lacquer.
Do you know all the ingredients of lacquer?
Who would think that the growers of castor
beans and the refiners of castor oil are a part
of it? They are. Why, even the processes by
which the lacquer is made a beautiful yellow
involves the skills of more persons than one
can enumerate!
Observe the labeling. That's a film formed
by applying heat to carbon black mixed with
resins. How do you make resins and what,
pray, is carbon black?
My bit of metal -- the ferrule -- is brass.
Think of all the persons who mine zinc
and copper and those who have the skills
to make shiny sheet brass from these products
of nature. Those black rings on my
ferrule are black nickel. What is black nickel
and how is it applied? The complete story
of why the center of my ferrule has no
black nickel on it would take pages to
explain
Then there`s my crowning glory, inelegantly
referred to in the trade as "the plug,"
the part man uses to erase the errors he
makes with me. An ingredient called "factice"
is what does the erasing. It is a
rubber-like product made by reacting rape-seed
oil from the Dutch East indies with
sulfur chloride. Rubber, contrary to the
common notion, is only for binding purposes.
Then, too, there are numerous vulcanizing
and accelerating agents. The pumice
comes from Italy; and the pigment which
gives "the plug" its color is cadmium sulfide.
No One Knows
Does anyone wish to challenge my earlier
assertion that no single person on the face of
this earth knows how to make me?
Actually, millions of human beings have
had a hand in my creation, no one of whom
even knows more than a very few of the
others. Now, you may say that I go too far
in relating the picker of a coffee berry in
far off Brazil and food growers elsewhere
to my creation; that this is an extreme
position. I shall stand by my claim. There
isn't a single person in all these millions,
including the president of the pencil company,
who contributes more than a tiny,
infinitesimal bit of know-how. From the
standpoint of know-how the only difference
between the miner of graphite in Ceylon and
the logger in Oregon is in the type of
know-how. Neither the miner nor the logger
can be dispensed with, any more than can
the chemist at the factory or the worker in
the oil field -- paraffin being a by-product of
petroleum.
Here is an astounding fact: Neither the
worker in the oil field nor the chemist nor the
digger of graphite or clay nor any who mans
or makes the ships or trains or trucks nor
the one who runs the machine that does the
knurling on my bit of metal nor the president
of the company performs his singular task
because he wants me. Each one wants me
less, perhaps, than does a child in the first
grade. Indeed, there are some among this
vast multitude who never saw a pencil nor
would they know how to use one. Their
motivation is other than me. Perhaps it is
something like this: Each of these millions
sees that he can thus enchange his tiny
knowhow for the goods and services he
needs or wants. I may or may not be among
these items.
No Master Mind
There is a fact still more astounding: The
absence of a master mind, of anyone dictating
or forcibly directing these countless
actions which bring me into being. No trace
of such a person can be found. Instead, we
find the Invisible Hand at work. This is the
mystery to which I earlier referred.
It has been said that "only God can make
a tree." Why do we agree with this? Isn't it
because we realize that we ourselves could
not make one? Indeed, can we even describe
a tree? We cannot, except in superficial
terms. We can say, for instance, that a
certain molecular configuration manifests
itself as a tree. But what mind is there among
men that could even record, let alone direct,
the constant changes in molecules that transpire
in the life span of a tree? Such a feat is
utterly unthinkable!
I, Pencil, am a complex combination of
miracles: a tree, zinc, copper, graphite, and
so on. But to these miracles which manifest
themselves in Nature an even more extraordinary
miracle has been added: the configuration of
creative human energies -- millions
of tiny know-hows configurating
naturally and spontaneously in response to
human necessity and desire and in the absence
of any human master-minding! Since
only God can make a tree, I insist that only
God could make me. Man can no more
direct these millions of know-hows to bring
me into being than he can put molecules
together to create a tree.
The above is what I meant when writing,
"if you can become aware of the
miraculousness which I symbolize, you can help
save the freedom mankind is so unhappily
losing" For, if one is aware that these
know-hows will naturally, yea, automatically,
arrange themselves into creative and
productive patterns in response to human
necessity and demand-that is, in the absence
of governmental or any other coercive
master-minding -- then one will possess an
absolutely essential ingredient for freedom:
a faith in free people. Freedom is impossible
without this faith.
Once government has had a monopoly of
a creative activity such, for instance, as
the delivery of the mails, most individuals
will believe that the mails could not be
efficiently delivered by men acting freely.
And here is the reason: Each one acknowledges
that he himself doesn't know how
to do all the things incident to mail delivery.
He also recognizes that no other individual
could do it. These assumptions are
correct. No individual possesses enough
know-how to perform a nation's mail delivery
any more than any individual possesses
enough know-how to make a pencil. Now,
in the absence of faith in free people -- in the
unawareness that millions of tiny know-hows
would naturally and miraculously
form and cooperate to satisfy this necessity --
the individual cannot help but reach
the erroneous conclusion that mail can be
delivered only by governmental "master-
minding."
Testimony Galore
If I, Pencil, were the only item that could
offer testimony on what men and women
can accomplish when free to try, then those
with little faith would have a fair case.
However, there is testimony galore: it's
all about us and on every hand. Mail delivery
is exceedingly simple when compared,
for instance, to the making of an
automobile or a calculating machine or a
grain combine or a milling machine or to
tens of thousands of other things. Delivery?
Why, in this area where men have
been left free to try, they deliver the human
voice around the world in less than one
second: they deliver an event visually and
in motion to any person's home when
it is happening; they deliver 150 passengers
from Seattle to Baltimore in less than
four hours; they deliver gas from Texas
to one's range or furnace in New York
at unbelievably low rates and without subsidy:
they deliver each four pounds of oil
from the Persian Gulf to our Eastern Seaboard
-- halfway around the world -- for less
money than the government charges for
delivering a one-ounce letter across the
street!
The lesson I have to teach is this: Leave
all creative energies uninhibited. Merely
organize society to act in harmony with this
lesson. Let society's legal apparatus remove
all obstacles the best it can. Permit these
creative know-hows freely to flow. Have
faith that free men and women will respond
to the Invisible Hand. This faith will be
confirmed. I, Pencil, seemingly simple
though I am, offer the miracle of my creation
as testimony that this is a practical faith, as
practical as the sun, the rain, a cedar tree,
the good earth.
Leonard E. Read (1898-1983) founded FEE in
1946 and served as its president until his death.
"I, Pencil," his most famous essay, was first published in the December 1958 issue of
The Freeman.